Laura Von Rosk

South Side
oil on wood
12" x 12"
The Yellow Rock
oil on wood
12" x 10"
Winter Woods
oil on wood
12" x 12"
Near Hoffman
oil on wood
12" x 12"
Road to Lake
oil on wood
12" x 12"
The Fourth Place
oil on wood
12" x 14"
Four Trees
oil on wood
14" x 16"
Lake Ontario
oil on wood
12" x 12"
Pines
oil on wood
12" x 10"
Laura Von Rosk

Laura Von Rosk
 
Laura Von Rosk
Laura Von Rosk

Laura Von Rosk
 
Laura Von Rosk
Laura Von Rosk

Laura Von Rosk
 
Laura Von Rosk
price range | $2,000 to $3,000

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artist's statement
I have been painting landscapes for over a decade. I used to think these paintings were about specific places, or a certain experience of a place. In many ways this is true. But I notice now there are forms repeating - certain shapes, or a certain kind of space: an enclosure or a fold or a dip (all those ditches), and much of this is emphasized, manipulated, or just plain made up. Now when I see places like this, say - a sand ditch along the highway, a gravel pit, a cultivated field, or just a peculiar bend in the road - I’m attracted to it, and I make a mental note. It seems now I look for the places that are already in my head. If I can’t find it out there, I’ll attempt to create it. Holes? - I like looking at them, like creating them. Roads? - I am always driving. It seems the beginning is usually that simple. There is a tension between form and what’s going on in the real world. And the form (dips, ditches, open fields, etc.) isn’t just a product of what I see, but combines what I know about constructing paintings with some deep and as yet unconscious memory system with what I see in the landscape. There may be a story hidden in the painting, which I myself am still only vaguely aware of. Small, intimate, sometimes intricate, full of illusion, or twisted space - the drama of broken ground: pages in a story. They feel like safe places; then, other times, like dangerous places: but necessary places - something has happened, or will happen, and everything has, or will react to it. Often there are only signs of absent people: who made the tracks, cut the stumps, lit the smoldering fires?

 


 


 

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Laura Von Rosk

education
1989 M.F.A., University of Pennsylvania, Philadelphia, PA.
1986 B.F.A., State University of New York at Purchase, Purchase, NY.

solo exhibitions
Bachelier Cardonsky Gallery, Kent, CT. 2006 - 2007
St. Thomas Aquinas College, Sparkill, NY. 2004.
President’s Gallery, The Arts Center for the Capital Region, Troy, NY. 2004.
Adirondack Community College, Queensbury, NY. 2002.
Green Lantern Studios, Mineral Point, WI. 2001.
Harmon Gallery, Hancock House, Ticonderoga, NY. 2000.
Adirondack Lakes Center for the Arts, Blue Mountain Lake, NY. 1999.
Firehouse Gallery, Rogue Community College, Grants Pass, OR. 1997.
The Hoyt Institute of Fine Arts, New Castle, PA. 1992.
Third Street Gallery, Philadelphia, PA. 1990.

group exhibitions
Susan Maasch Fine Art, Portland ME. 2007.
Gallery 100, Saratoga Springs, NY. 2004 – 2007.
Union College, Schenectady, NY. 2006.
Kiesendahl & Calhoun Contemporary Art, Beacon, NY. 2005.
2005 Kentucky Museum of Art and Craft, Louisville, KY. 2005.
Haddad Lascano Gallery, Great Barrington, MA. 2005.
Carrie Haddad Gallery, Hudson, NY. 1997 - 2005.
Albany International Airport Gallery, Albany, NY. 2003.
Leighton Gallery, Blue Hill, ME. 2002 – 2007.
Pentimenti Gallery, Philadelphia, PA. 2002.
The Arts Center, Saratoga County Arts Council, Saratoga Springs, NY. 1998, 2001.
Dietel Gallery, Emma Willard, Troy, NY. 1999.
Valencia Community College, Orlando, FL. 1998.
Furchgott & Sourdiffe Gallery, Shelburne, VT. 1998, 1999, 2000.
Maude Kerns Art Center, Eugene, OR. 1998.
Chemeketa College Art Gallery, Salem, OR. 1997.
Buckley Center Gallery, University of Portland, Portland, OR. 1996.
E.M.U. Cultural Forum, University of Oregon, Eugene, OR. 1995.
Emison Art Center, DePaw University, Greencastle, IN. 1994.
Arthur Ross Gallery, Philadelphia, PA. 1990.
State Museum of Pennsylvania, Harrisburg, PA 1989.


awards
New York Foundation for the Arts Painting Fellowship, 2004.
Lake Placid Lodge, Adirondack Art Fund Grant, 2002.
New York Foundation for the Arts, Special Opportunity Stipend Grant (SOS), 2000.
Arts Council of the Northern Adirondacks, Artist and Community Exchange Grant, 1999.
Pollack-Krasner Foundation, New York, NY, Individual Artist Grant, 1996.
Washington and Jefferson College, Washington, PA, Purchase Award, 1990.

Artist Residencies
Yaddo, Saratoga Springs, NY. 2003, 2002, 2000, and 1996.
Vermont Studio Center, Full Fellowship Grant, Johnson, VT. 1998.
Millay Colony for the Arts, Austerlitz, NY. 1996.
Acadia National Park, Bar Harbor, ME. 1996.
Bernheim Arboretum and Research Forest, Clermont, KY. 1996.
Centrum, Port Townsend, WA. 1996.
New York Mills Regional Cultural Center, New York Mills, MN. 1995.
Blue Mountain Center, Blue Mountain Lake, NY. 1995.
Dorland Mountain Arts Colony, Temecula, CA. 1991 and 1994.



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